A Brutally Candid Conversation With Lily Allen

Lily Allen didn’t like her final album. She says this and squeaks out a burst of nervous rat-a-tat-tat laughter. She does this loads in dialog, pertaining to a subject that most individuals wish to keep away from, each in interviews and in actual life, from coping with stalkers to music business machinations to her personal emotions of self-worth, after which emitting a fast chuckle, as if to place a interval on the sentence so she will transfer onto the following confession.

She’s by no means been one to carry again. Nearly a decade in the past, whereas caught in file label limbo with a staff that didn’t know what to do along with her and didn’t wish to launch her music, she started importing her demos to MyHouse, and likewise started running a blog on the positioning. Both the music and her phrases have been hilarious and revealing seems at life as a younger British girl of means within the ’00s, coping with daft blokes and all the time making an attempt to combat by way of the hangover to recollect what you probably did the evening earlier than. Eventually, her label launched her acclaimed and wildly standard debut, 2006’s Alright, Still. Our personal Chris Deville as soon as argued that Allen set the template for confessional and sonically adventurous pop that stars from Lorde to Charli XCX would pull from. She additionally created the “feminist party girl” persona a number of years earlier than Amy Schumer obtained to it.

Hit singles like “Smile” and “Alfie” (through which she clowns her brother, the long run Theon Greyjoy) made Allen a star, and her follow-up, 2009’s It’s Not Me, It’s You additional cemented her standing. But she shortly grew to become simply as well-known for her extramusical tabloid antics, akin to getting right into a drunken spat with Elton John.

Allen has all the time practiced what could possibly be known as radical honesty. No matter what hardship she was going by way of, she was fast to speak about it in interviews and social media. And there was a number of hardship, from two separate miscarriages and struggles with bi-polar dysfunction, co-dependency, and substance abuse. She began work on her third album, 2014’s Sheezus, shortly after having her first little one, whereas nonetheless within the thick of postnatal despair. Though the album has its share of hidden gems (together with the evisceration of on-line know-it-alls “URL Badman”), it discovered her bending awkwardly to pop tendencies as an alternative of main them. And the video for lead single “Hard Out Here,” meant as a send-up of leisure business sexism and the objectification of girls, was known as out by commentators who thought that the inclusion of black back-up dancers was an act of each cultural appropriation and veiled racism.

Well conscious of her missteps, she got down to proper the ship along with her new album No Shame, which sees her re-embrace the dancehall and new wave influences of her debut on singles like “Trigger Bang,” and supply up her most confessional and mature ballads but on songs like “Three” and “Family Man,” which recount her current divorce and the concern that her work is getting in the best way of being a very good dad or mum.

Sporting a pink dye job, Allen talked candidly about her profession, life, and upcoming memoir (and as soon as the interview was over, her help for UK social icon Jeremy Corbyn; she’d make an excellent Chapo Traphouse visitor) with Stereogum over virgin peach margaritas and chips and guacamole at a Tribeca taqueria. As ever, she had loads to say.

STEREOGUM: What have you ever been as much as after the tour to your final album?

ALLEN: Quite loads, ? Getting divorced [laughs] and penning this file. I’ve been fairly solidly writing for the perfect a part of three years.

STEREOGUM: Why do you suppose it took so lengthy?

ALLEN: ‘Cause I needed it to be actually good [laughs]. I needed it to be actually good, however I additionally needed to A&R it myself and I needed to make it myself. Like, I didn’t wanna do the normal method of doing issues. I didn’t wanna make a file with singles for radio.

I signed a deal that was an artist deal. So £25,000 for 5 albums, after which I used to be a pop star. I liked that for a bit, after which I feel it went into Pop Star 101 on the final file, and I wanted to determine what I used to be.

STEREOGUM: Did it get to the purpose the place you felt such as you needed to chase tendencies or work with whoever was the recent producer in the intervening time? That occurs to a number of pop stars.

ALLEN: No, ’trigger the final file, I did all of it with Greg Kurstin who did my file earlier to that. I feel an enormous a part of me additionally needed to make a very good file that wasn’t produced by Greg Kurstin. I needed to know I might do it with out him.

STEREOGUM: I used to be studying some interviews with you, and also you mentioned that you just weren’t super-into your final album, Sheezus. How a lot of this album is a response to the method of constructing Sheezus?

ALLEN: The entire factor. I feel that the concept going into Sheezus was actually well-intentioned. I feel I used to be affected by postnatal despair once I began writing it, and I feel I used to be having an id disaster, that I didn’t know I used to be a brand new mum. I felt like I wanted to be a pop star to pay my payments, and I didn’t really feel like that, so I did what I assumed pop stars ought to do, and it was very incorrect. [laughs]

STEREOGUM: Did it on the time you have been making it that it was the incorrect route, or solely on reflection?

ALLEN: Well, I don’t suppose the music, truly, was that dangerous. It was extra the advertising and the best way that I appeared, the garments that I used to be sporting and the stage design. It was like a form of bizarre Alice In Wonderland, however dangerous.

STEREOGUM: Yeah, it appeared like they tried to market you alongside the traces of Miley Cyrus or Katy Perry with that album. Nothing in opposition to them, but it surely doesn’t actually seem to be who you actually are.

ALLEN: Yeah, I imply, yeah I’d say that’s proper. But I can’t blame it on anybody. I OK’d it, I permitted it. But as a result of I didn’t have a way of self on the time, I used to be seeking to different individuals to information me. And I’ve all the time achieved it myself, which is, I feel, what translated to individuals earlier than. The sense of honesty. I feel I simply felt like I couldn’t promote it, ’trigger I didn’t know who I used to be.

STEREOGUM: I do know that loads girls say that after you have got a child, typically you don’t essentially know who you’re, in addition to being a mother.

ALLEN: Well, I feel there’s that, however then I feel additionally the file business doesn’t know methods to cope with it. It’s like, “Shit, those tits are for selling records with, not feeding children with,” ? [laughs] “What are we meant to do with those?”

STEREOGUM: It may be laborious to market a mother to the youngsters who wish to take heed to pop music. And with the music business, you’re anticipated to have an album out each three-to-four years or two-to-three years, and also you won’t be prepared to do this. You won’t have achieved sufficient reflecting.

ALLEN: Not solely that, however I feel the file business is the boys membership, and I feel the boys membership are OK with manipulating younger girls that don’t have any duties. And perhaps they really feel barely extra responsible behaving that method when a girl’s obtained kids, and their life is actual, rapidly, ? It’s OK to tear off a little bit crap that’s taking medication and getting fucked up. But it’s not likely that cool to do this to a younger mum.

STEREOGUM: You would hope they’d have that degree of compassion, however I wouldn’t put something previous the file business.

ALLEN: I don’t know. The factor is, it’s important to do not forget that I misplaced a toddler in a really tragic circumstance, and I feel that was fairly actual for lots of them. I feel there was some fairly unclear habits happening by way of twiddling with the books and funds. I feel there most likely was guilt and disgrace related to that they usually didn’t know methods to cope with it.

STEREOGUM: Do you continue to work with the identical individuals, or did you alter groups since?

ALLEN: There’s no person at my file firm that was there once I signed to them, and I’ve been by way of about seven managers for the reason that starting.

STEREOGUM: The album obtained essentially the most divisive and derisive opinions of your profession. Did that damage on the time? Or did you already understand it wasn’t your finest work?

ALLEN: No, I knew. I talked about it in interviews. I didn’t like the only decisions. It was dangerous from the start.

STEREOGUM: Is it robust whenever you in some unspecified time in the future understand, “Well, it’s too far along now, there’s nothing I can do to stop it?”

ALLEN: Yeah. I began consuming. It wasn’t like an escape, however I used to be like, “Fuck, I sold tickets to concerts for the next year, I’m stuck in this.”

STEREOGUM: “To play songs I don’t really like.”

ALLEN: Yeah. And I used to be having to spend lengthy durations of time away from my kids, and it was an excessive amount of.

STEREOGUM: That’s gotta be tough. Once all that stuff ended, when did you begin writing and dealing on this one?

ALLEN: Pretty a lot right away, truly — in actual fact, as a result of I used to be feeling so responsible about not being with my children and our relationship was actually intermittent. And I hated that. I hated going again to them as a result of they didn’t know me, so it was actually tough. So truly, I created extra work to remain away, as a result of I didn’t wish to return, as a result of I used to be so fearful of rejection, ? [laughs]

STEREOGUM: That’s gotta be tough.

ALLEN: Yeah, it was truly. We completed the US tour right here, and I rented a home in LA for like a month and mentioned, , “I’ve gotta get this next record done, I hate the last one so much, I’m so pissed off.” I didn’t suppose it will take me three years [laughs]. But the primary track we wrote was “Family Man.” It’s telling that that’s the primary track that got here out, I feel.

STEREOGUM: Is that across the time you mentioned you have been getting divorced?

ALLEN: Oh, yeah.

STEREOGUM: You’re going by way of that and it’s important to make an excellent album to return again from the final one. How tough was it to really focus and make one thing nice whenever you’re going by way of all of this?

ALLEN: It was actually laborious. It is actually laborious, ? I lastly obtained to the place the place I knew what I needed to do professionally with a purpose to maintain myself. Not maintain myself financially, however creatively. I knew that I simply needed to eliminate pink carpets and designer attire and courting consideration. It all needed to go. I needed to get an area and immerse myself in no matter. I nonetheless wasn’t completely happy, so I used to be like, “All right, maybe it’s my marriage.” Then there was that that I form of needed to get out of. Quite quickly after that occurred, I had a stalker break into my home and attempt to kill me. That was horrifying [laughs] primarily as a result of I’m a extremely codependent particular person, so it took a number of braveness to go away my marriage, and I used to be like, “I can survive on my own in the real world.” Literally three weeks after I break up up with my husband, any person broke into my home and tried to kill me.

STEREOGUM: I’m sorry, that’s terrible.

ALLEN: [laughs] It was actually intense, and it was six months from that occuring to when he obtained put in jail, the courtroom case and every thing. There was a great deal of different bizarre stuff concerned with that, the police. Yeah, it was a really tough time.

STEREOGUM: I’ve heard that actually each girl within the public eye has a stalker.

ALLEN: I feel fairly lots of people not within the public eye have stalkers. Especially at the present time.

STEREOGUM: You talked about you didn’t wish to work with Greg Kurstin once more. There’s actually a really sexist concept within the music business and amongst followers and critics that there’s a man who writes all of the songs, after which the feminine singer goes in and sings them, they usually wanna give the producer all of the credit score. Were you consciously making an attempt to interrupt away from that concept and be like, “No, he’s nice, however I’m the one who made these albums?”

ALLEN: No, I’m not that kinda particular person. In reality, I’ve by no means actually believed in myself, so I feel it was extra I used to be all the time like, “Well, Greg’s the genius, not me.” And I feel that as a result of issues actually obtained to a low level with the final file, it was like, “Do you want to do this? Is this what you’re meant to do? If this is what you’re meant to do, then you have to do it, and you have to do it on your own.” Just for myself. Not like by way of, like, I’m anticipating this album to be a monetary gold mine. It’s not gonna be like Ed Sheeran’s Divide [laughs] ?

STEREOGUM: Well no, ’trigger it’s truly a very good album.

ALLEN: [laughs] It’s not “Shape Of You,” however…

STEREOGUM: Well, thank God.

ALLEN: Yeah, I wanted shit to imply one thing.

STEREOGUM: Was anybody on the label pushing you to make extra radio songs?

ALLEN: I didn’t discuss to anybody on the label. I nonetheless haven’t. On the final file as properly, with Sheezus, my supervisor resigned simply as I used to be heading off on tour for festivals. I obtained an e-mail on the best way to the airport from my supervisor simply saying, “I don’t wanna be your manager anymore.” And so I used to be kinda like alone, and it’s such an necessary relationship, I didn’t wish to simply bounce into mattress with any person. So I used to be form of like self-managing for ages. I don’t know, the entire thing was a nightmare [laughs].

STEREOGUM: Sorry to maintain asking you downer questions.

ALLEN: No, no, pay attention, it’s been a downer time, and the album displays that. Anyway, after that time period, ’trigger I had no supervisor, I had to enter label conferences and stuff after which listening to about your self as a product with out the filter of a supervisor. And additionally, earlier than that when individuals talked about album ships, that’s when individuals bought information. So it was like, “Oh, we’re gonna ship 500,000.” Now they’re speaking like, “20,000, 30,000″ and I’m just thinking, “Oh I’m a failure,” not pondering, “Oh, the market’s changed.”

STEREOGUM: Yeah, nothing to do with you.

ALLEN: You can stream now. [laughs] My confidence simply went proper down, and I used to be talked about in a method that an artist ought to by no means pay attention to, listening to these issues.

STEREOGUM: To your face?

ALLEN: Yeah. It’s not their fault. They needed to inform any person, and I didn’t have a supervisor.

STEREOGUM: What would they are saying to you?

ALLEN: Just like, , issues about supermarkets and shit, boring shit. But simply speaking about me as an individual as a product they needed to promote, and also you simply don’t wish to hear these issues as an artist. Having been aware about all of that stuff and seeing all of the individuals I’ve been working with for years in a special gentle, I knew going into this album, I didn’t wish to see any of these individuals. I didn’t wish to discuss to them. Not as a result of I don’t like them, however I simply couldn’t, it couldn’t bear any relation to what I needed to do with this file. So, yeah, it was identical to I needed to do it alone time.

STEREOGUM: You’ve all the time had these ballad-y moments in your albums, however on this one you actually embrace it. I feel from “Family Man” to “Three” or perhaps “Apple,” there’s a stretch of ballads the place you’re extra uncooked than we’ve seen you, and actually to the purpose. Was it scary to place all of that on the market and embrace that facet of you?

ALLEN: Yeah. I needed to jot down a file for me that felt truthful and trustworthy, but in addition, I don’t wanna disappoint any folks that supported me by way of the years. I’m self-aware sufficient to know that what individuals like about my writing is the directness and the honesty, however I feel the distinction between this album and former information is that that honesty has normally been observations of different individuals and looking out outwards. This time it was about turning the remark in on myself. There’s nothing actually that profound in that, I feel that’s simply rising up, realizing I’m truly an individual on the earth who needs to be performing some shit.

STEREOGUM: There’s much less irony and sarcasm and snarkiness on this album. There’s not none of it, but it surely’s loads much less.

ALLEN: Yeah. It’s cute whenever you’re in your early 20s, late teenagers, not so cute whenever you’re older. [laughs]

STEREOGUM: Having children makes individuals much more earnest.

ALLEN: I don’t wish to describe the file as being earnest or treasured, as a result of it doesn’t really feel like that to me in any respect.

STEREOGUM: When you make songs like “Family Man,” that “The person I wrote this about will definitely hear this.” Knowing that, is it robust to place that track on the market?

ALLEN: Yeah, perhaps, however pay attention: The person who that track’s about — my husband — knew what I did earlier than he obtained along with me, so there was a robust chance that there could be some songs written about him in some unspecified time in the future. [laughs] Anyone that will get concerned with me is aware of that there’s a threat that which may occur.

STEREOGUM: On the track “Trigger Bang” you speak about feeling such as you’re “too uncool” to hang around with the youngsters. Is that actually how you are feeling?

ALLEN: Oh it’s not likely about hanging with children, it’s not even nearly medication and alcohol. It’s about business individuals, folks that give me nervousness and make me suppose I do need to drop pounds and need to be seen on this costume.

STEREOGUM: So the issues which may set off you previously and get you to drink and neglect them?

ALLEN: Yeah.

STEREOGUM: Are you sober today?

ALLEN: Eh, I don’t take medication, however I’ll drink with dinner or one thing. But truly, not even actually. I don’t smoke anymore, I don’t smoke tobacco, however I’ll smoke weed if it’s not obtained any tobacco in it for so long as I can take it, which is about three hits [laughs]. But I’m not utilizing. I don’t suppose I’ve ever actually been an addict although, to be trustworthy. I feel I’m a raging co-dependent after which once I really feel like I can’t cope, I abuse alcohol and medicines to plaster over some stuff, however I’ve by no means been any person that craves a repair.

STEREOGUM: The substances themselves don’t appear to be the issue, to you.

ALLEN: No, I’m the issue [laughs]. I feel some individuals get up within the morning they usually’re like, “I need a drink,” whereas I’ll be like “Fuck! I’ve got a photoshoot, and I feel really insecure, I don’t want to do a photoshoot because it’s such a weird environment.” I’ll drink to make it by way of. But if I can navigate what I’m snug with and set wholesome boundaries, then I don’t want crutches.

STEREOGUM: On the track, “Three,” is that written out of your kids’s’ perspective?

ALLEN: Yeah.

STEREOGUM: You discuss concerning the little one questioning in the event that they’d be deserted, and also you’ve mentioned in interviews that you just fear that individuals name you a foul mom. That’s a extremely horrible factor to say about anybody, calling them a foul mom. Is that one thing that’s been in your thoughts recently, that individuals consider you this fashion and even your kids would possibly view you this fashion?

ALLEN: No. My kids wouldn’t as a result of we’re actually shut and have an excellent relationship and I’m not likely anxious about that, however I feel it’s tough to elucidate to children. I say to my children on a regular basis, “I love you, I love you, I love you so much, I love you more than anything in the whole wide world!” And then I stroll out and go someplace. As a small particular person, that’s tough to compute. You’re like, “You told me you love me! Why are you leaving me again?”

STEREOGUM: Lots of this album feels such as you’re taking inventory of your life, and also you appear a little bit too younger to be doing that. In a method, this feels just like the album you’ll write whenever you’re in your 40s.

ALLEN: I feel that I’ve achieved my entire life method too earlier.

STEREOGUM: So you bought to the reflecting album loads faster.

ALLEN: I feel that the issues I had on Sheezus, that was my mid-life disaster. [laughs]

STEREOGUM: Only three albums in.

ALLEN: But once I was a teen individuals all the time used to say, “you’re a really old soul, you’re way ahead of your years.” When I used to be 12, all I needed to do was be 16, so I might drive away. I used to be using 30 individuals by the point I used to be 22. It was fairly loopy stuff.

STEREOGUM: Not to maintain harping on the Sheezus period, however you took a number of shit on that album, particularly from individuals mad on the video for “Hard Out Here.” In retrospect, do you suppose that they had a degree?

ALLEN: Yeah! Sure. If any person says one thing and that they really feel one thing has made them really feel a sure method, then after all they’ve obtained a degree, that’s their emotions. I’m not going to inform them that they’re proper or they’re incorrect. You need to take accountability for shit that you just put on the market. I put that on the market.

STEREOGUM: Were you blindsided whenever you began listening to the criticism?

ALLEN: I feel I used to be shocked, however I used to be additionally as a result of it opened my eyes to stuff I hadn’t essentially paid consideration to earlier than. I’ve learn a number of books about intersectional feminism since. Social justice has develop into an enormous a part of my life previously 4 years, and I’m fairly positive that had loads to do with it. There have been women posting YouTube movies crying about it, actually offended. I simply wish to make individuals completely happy and really feel linked. Like “this is the last thing I want.”

STEREOGUM: So what does the album title imply to you? It looks like you’re speaking about some heavy stuff and also you don’t appear too bothered by placing it on the market it doesn’t matter what individuals would possibly consider you.

ALLEN: Oh no, I do care. I feel it has two meanings. Like so-and-so’s obtained no disgrace, which is principally that means that that particular person behaves in a shameless method. That’s one thing lots of people take into consideration me, so I assume it has that that means. And additionally it’s me saying, , I’ve been by way of some fairly fucked-up shit, I’ve behaved in some fairly fucked up methods, I don’t wish to really feel responsible about it anymore, so let me let you know about it and apologize for a few of it and hopefully I can rid myself of disgrace — not a lot enjoyable strolling round feeling shameful.

STEREOGUM: Does being trustworthy and proudly owning as much as your errors come naturally to you?

ALLEN: Yeah it does, but in addition I simply imagine in speaking and imagine in honesty and transparency, as a result of the alternative is what will get us in bother, isn’t it? When persons are hiding issues, they usually’re mendacity to you, usually the end result will not be good.

STEREOGUM: Let’s finish on a excessive observe. What music do your children take heed to?

ALLEN: Taylor Swift. They love “Despacito.” Their dad is best at taking part in them a number of nation music and I play them Michael Jackson. They like watching Michael Jackson movies.

STEREOGUM: Are they too previous for teenagers’ music?

ALLEN: Yeah. They’ve simply by no means actually been that into it. Annoyingly, the one track of mine they wish to take heed to is “Air Balloon.” [laughs] My worst track! I hate it a lot! It’s the one factor they’re fascinated by. They’re like, “‘Air Balloon,’ Mummy!” I’m like, “No! It’s my worst one.”

STEREOGUM: Kids may be so merciless.

ALLEN: They are. My daughter actually winds me up, truly, as a result of she’s simply caught on to “Mummy is well-known,” so like once we’re out in public within the grocery store or one thing, she’ll say my title actually loudly as a result of clearly, individuals flip round and she or he will get consideration, and I get actually embarrassed. It’s enjoyable for her to have that energy over me.

STEREOGUM: Do you are concerned what’ll occur after they’re sufficiently old to start out Googling you?

ALLEN: I do, and I’ve written a e book, truly, which can come out later within the 12 months in October. That’s one of many important causes I wrote the e book as a result of I do actually fear about them Googling me and me not being there to inform them the reality about sure issues so I’ve written the necessary stuff after which I made a decision to promote it. [laughs]

STEREOGUM: Maybe they’ll look again and say, “Hey! Mom was pretty cool!”

ALLEN: Well there’s a number of stuff in there about me and my promiscuity and the divorce. It’s necessary that they know I used to be out my fucking thoughts! [laughs]

No Shame is out 6/eight through Warner Bros. Pre-order it right here.

Shut Up, Dude: This Week’s Best And Worst Comments

If you couldn’t inform, everybody right here at Stereogum has Royal Wedding Fever. So hold checking again this weekend to search out out which superstar friends will likely be attending the nuptials (James Corden), what Meghan Markle will likely be sporting (Yeezy Bridal), and what the groom’s identify is (William or Harry, I at all times neglect who’s who). We’ve additionally obtained a particular Royal Wedding Playlist to get you within the temper.

Your greatest and worst feedback of the week are beneath.


#10  Inablackout
Score:38 | May 14th

HK has beloved girls her whole life. Wonderful, lovely, god bless. Rita Ora had a single expertise with one other lady which was clearly robust sufficient to compel her to write down a music about. Wonderful, lovely, god bless. We all lead our personal lives and have our personal experiences. Why go after another person for writing about their private expertise? This development towards absolutism in so many areas of society is regarding

Posted in: Rita Ora Apologizes For “Girls”
#7  dadadaism
Score:41 | May 14th

that is (what’s fallacious with) america

Posted in: NOPE
#6  Mercury Jones
Score:49 | May 14th

Exactly she was talking on her expertise as a member of the LGBTQ household, disgrace that she needed to be shamed by people who find themselves purported to be her sisters. Fuck that holier than thou perspective.

Posted in: Rita Ora Apologizes For “Girls”
#2  Marijuana
Score:69 | May 14th

As a white particular person, I really feel its my obligation to say this:

White individuals have to be stopped.

Your Pal,


Posted in: NOPE
#1  dadadaism
Score:70 | May 15th

Whenever I’m strolling house from a bar late at evening & I discover a white lady strolling behind me, I at all times quicken my tempo and cross the road so that they don’t gentrify my tradition

Posted in: NOPE


#four  lieutenant wine
Score:-23 | May 11th

This band is breathtakingly boring. And so are the those who reward them.
Go out and LIVE. There’s nonetheless time! You don’t must topic your self to this.

Posted in: Stream Beach House’s New Album 7


Collections Of Colonies Of Bees – “Ruins”

The identify Collections Of Colonies Of Bees is a mouthful. The Wisconsin-based band first began because the mission of Chris Rosenau and John Mueller, beforehand of post-rock group Pele, they usually went on to merge forces with Bon Iver’s Justin Vernon to launch two albums as Volcano Choir, most lately 2013’s Repave. Collections Of Colonies Of Bees have additionally continued to place albums out, with varied lineup adjustments over the past twenty years — Rosenau has remained the band’s solely fixed member. Their upcoming album, HAWAII, can be their first in nearly 4 years. They’ll even be touring with Sylvan Esso, whose Nick Sanborn was as soon as a Collections member, when album comes out in July.

Collections Of Colonies Of Bees was beforehand primarily an instrumental outfit, however HAWAII’s lead single “Ruins” sees them teaming up with folks singer and fellow Wisconsinite Marielle Allschwang for a winding six-minute serenade. There’s loads of lifeless house in “Ruins”; you can begin to digest the tune earlier than it’s even completed. It begins with a hopping however sharp guitar loop, and the monitor strikes slowly by way of its distinct sections, teasing a pure construction that by no means fairly makes it there. Allschwang and guitarist Daniel Spack’s duet shines as their voices pacify, and the opening staccato stays in fixed echo by way of all the piece. The tune ends with a thumping instrumental, with Allschwang respiration to the beat.

Listen beneath.

05/18 Milwaukee, WI @ Company Brewing
07/20 Minneapolis, MN @ Surly Brewing Festival Field #
07/21 Milwaukee, WI @ Pabst Theatre #
07/22 Milwaukee, WI @ Pabst Theatre #
07/23 Chicago, IL @ Riviera Theatre #
07/24 Chicago, IL @ Vic Theatre #
08/08 Milwaukee, WI @ Washington Park Summer Concert Series
# w/ Sylvan Esso

HAWAII is out 7/13 by way of Polyvinyl.

Cardi B Deletes Her Instagram Account After Responding To Azealia Banks’ Insults

The feud between Cardi B and Azealia Banks has reignited — and it’s getting fairly messy.

During a go to to The Breakfast Club on Friday (May 11), the at all times outspoken Banks threw out some main insults about Cardi, calling her all the pieces from an “illiterate, untalented rat” to a “caricature of a black woman.”

“Two years ago, the conversation surrounding black women’s culture was really reaching an all-time high,” Banks advised the radio present’s hosts, referencing Beyoncé’s 2016 album, Lemonade. “There was just this really, really, really intelligent conversation going on nationally and then everything just kind of changed and then it was like Cardi B.”

Banks continued, “I’m just talking about this caricature of a black woman that black women themselves would never be able to get away with. Like, if my spelling and grammar was that bad, I’d be canceled. If Nicki Minaj spelled like that, we would be ragging on her all day.”

Cardi B shortly responded to Banks’ offensive feedback on Instagram. Shortly after, the Invasion Of Privacy rapper deleted her whole IG account.

“I’m from the hood. I speak how I speak I am how I am. I did not choose to be famous people choose me! People followed me on Instagram and the people gave me a platform to introduce my talent,” Cardi wrote within the publish. “I never asked to be a example or a role model I don’t want to change my ways because I’m famous that’s why I just mind my business. This is coming from a woman that bleached her skin but want to advocate. GOODBYE. Im not apologizing or kill myself because of who I am.”

Read Cardi B’s now-deleted IG assertion within the display screen seize under.

This isn’t the primary time Cardi and Banks have battled it out on-line. In September, Banks referred to as Cardi a “poor man’s Nicki Minaj,” and accused her of utilizing a ghostwriter for her hit tune “Bodak Yellow.” In response, Cardi posted a video of Banks dancing to the “Bodak Yellow” in a membership.

This article initially appeared on Billboard.com.

I Regret To Inform You That My Nemesis Charlie Puth Is Getting His Shit Together

Charlie Puth is ridiculous, however extra importantly, he’s meticulous. His music is toothless, however his dedication to that music and its spoils is ruthless.

The similar Billboard cowl story that depicted the 26-year-old pop singer-songwriter directing his driver to lunch by declaring “I’m hungies!” additionally revealed his singleminded devotion to turning into as impossibly wealthy and cozy as two of the whitebread icons his music exists in continuum with: Maroon 5’s Adam Levine, who shares Puth’s affinity for the finer issues in life — “You know, freshly cut fruits and toilets that greet you when you walk into the bathroom, and Porsches” — and OneRepublic’s Ryan Tedder, whose state of affairs Puth overtly covets. “I just want a studio house like Ryan Tedder,” Puth stated, clarifying, “He has another house for his studio.” Also: “He has candles, so now I have candles. I like candles.”

Hailing from the wealthy white suburb of Rumson, New Jersey, Charles Otto Puth Jr. is brazen in his want for such lavish residing. His easy-listening tunes appear fastidiously calculated to achieve that diploma of success, and his pursuit of it has been cutthroat. In one other Billboard interview — the one the place he gushed about being awed by the Lamborghinis upon his first go to to Beverly Hills and claimed to be “way too bougie” for the “crappy hotel” Atlantic put him up in when his fame was nonetheless confined to YouTube — Puth stated he threatened to withhold his breakthrough hit “See You Again” from the Furious 7 soundtrack except he was allowed to be a featured artist on the monitor and seem within the video alongside lead artist Wiz Khalifa.

That recreation of hardball was cheap — why shouldn’t a songwriter with a voice as brilliant and agile as Puth’s get first dibs at his personal surefire hit? It additionally turned out to be clever, each for Puth and everybody else invested in “See You Again.” The music spent 12 weeks at #1 on the Hot 100, turning into the longest reigning rap music since Eminem’s “Lose Yourself,” the most important hit of Khalifa’s profession, and the most-viewed YouTube video of all time. (It was later surpassed by “Despacito.”) “See You Again,” with its heart-prodding refrain and titanic “Whoa-oh!” bridge, additionally served as a launchpad for Puth, validating him as not only a rising business songwriter however a bankable radio powerhouse. It made him a star.

This was nice information for everybody besides these of us with an iota of excellent style, who needed to put up with the saccharine drivel that was “See You Again” all spring and summer time. But at the very least that cloying tribute to the lifeless in all probability supplied some catharsis for individuals in mourning; lord is aware of I’m not proof against Hallmark sentimentality when it meets me the place I’m at. I nonetheless hate that music, however I’ve to at the very least give it credit score for its function in giving thousands and thousands of individuals a very good cry.

Still, in its wake got here the much more objectionable “Marvin Gaye,” a Motown-inspired duet with Meghan Trainor constructed on the face-palm hook, “Let’s Marvin Gaye and get it on.” Even earlier than Puth acquired round to releasing a complete album on that tip — 2016’s Nine Track Mind, finest recognized for the Selena Gomez duet “We Don’t Talk Anymore” — I had referred to as him “2015’s most egregious rising star” and declared him my sworn enemy. This low-calorie cheeseball was a lot enjoyable to chew up and spit out. For somebody keen on partaking with mainstream pop from a crucial take away, there was no higher whipping boy. He was the GOAT scapegoat.

Sadly, our one-sided feud could also be coming to an finish because of Puth’s new album Voicenotes, out tomorrow after a protracted rollout that carried on for greater than a 12 months. It’s not that he’s immediately advanced right into a beacon of suave expression; his music stays triangulated for optimum publicity and minimal offense, able to dominate dentist’s workplaces and elevators in all places. Nor has he toned down his shameless douchebag tendencies; if something, success has solely ramped up that facet of his character. (I’m by no means letting that “hungies” factor go.) He nonetheless typically comes off like a baby making an attempt to challenge grownup gravitas; bounding his method by an empty constructing within the “How Long” video, sexy-dancing in an open-collared go well with, he may simply be mistaken for an escapee from senior promenade.

But if hanging out with these kings of contemporary adult-contemporary has impressed Puth to embrace his future as a Hollywood cliché, it additionally appears to have initiated a transfer towards extra palatable taste of vanilla. On Voicenotes, he’s up to date his method to retro pop-R&B, buying and selling out the cartoonish Motown pastiche of his first LP for glossy, ’80s- and ’90s-inspired synth jams with a soft-rock disposition. His musicality is sharper than ever. Most of essentially the most obnoxious parts of his earlier music have been toned down considerably. When I discover myself singing alongside along with his new songs, fairly than cringe, I shrug.

Puth now exists on a airplane much like his pal Jason Derulo, who I as soon as dubbed “pop’s most begrudgingly acceptable hitmaker, the high priest of faint praise.” His music is impeccably produced and catchy because the clap, too bland to be nice however too competent to be atrocious. It elicits muted bursts of delight however by no means elation, caught in some numb nether area between the mediocre and the genuinely thrilling. It’s exceedingly, resoundingly, monumentally high-quality.

Derulo, Levine, Tedder: These guys are chameleons, at all times adapting to the sound of the instances. Puth is chameleonic, too, and he proves it on Voicenotes by leaning all the way in which into finger-snapping ballads with Boyz II Men (the a cappella “If You Leave Me Now”) and James Taylor (the acoustic lounge-folk ditty “Change”), serving up every act a music that might match proper in alongside their best hits. Mostly, although, he’s sticking to at least one sound on Voicenotes, this crystalline lite-funk mode that provides him loads of room to flex his falsetto powers and amplify them with each ounce of gloss and sparkle a state-of-the-art recording studio can muster. It labored for him on the bass-powered “Attention” and the fizzy disco hip-swinger “How Long” — tales of being toyed with and copping to infidelity, respectively — and it really works all through most of Voicenotes.

It could by no means work higher than on “Boy,” a music Puth wrote about getting rejected by older ladies. Given his youthful look, it’s fairly humorous to listen to him singing, “You won’t wake up beside me/ ‘Cause I was born in the ’90s/ Baby, how dare you treat me just like a boy?” But musically the music is stellar, a deeply melodious pop tune with a glassy LCD floor, a rippling synth-bass undercurrent, and a virtuosic keyboard solo to high it off. The Kehlani collab “Done For Me,” the crisp and moody “Slow It Down,” and the frenetic “Somebody Told Me” additionally fare properly. And on opener “The Way I Am,” slicing electrical guitars and military-precise drum programming propel Puth’s assured assertion of intent: “I’ma tell ‘em all that you can either hate me or love me, but that’s just the way I am.”

I nonetheless don’t love Puth, however I can’t say I hate him anymore both. His expertise, ego, and excessive averageness are starting to remind me of one other piano-playing diva from the Eastern seaboard too banal to worship however too gifted to dismiss, Billy Joel. There’s a scene from that New Yorker profile on Joel from just a few years in the past that particularly jogs my memory of Puth: After a day of luxuriating at Oyster Bay, throughout a 16-minute helicopter experience from his Long Island dwelling to his month-to-month enviornment gig in Midtown Manhattan, Joel remarks, “You know, if you type ‘Billy Joel’s house’ into Google Maps, you get Madison Square Garden.” The hubris is spectacular, however presumably, so was the present. Puth is hungies for that sort of fame and fortune, and as a lot because it pains me to confess, he could have what it takes to realize it.


Post Malone’s Beerbongs & Bentleys enjoys the most important debut week of the 12 months to date and units the single-week streaming document within the course of, getting into the Billboard 200 at #1 with 461,000 equal album models and 153,000 in conventional gross sales, topping the 397,000 models that launched J. Cole’s KOD final week. Per Billboard, 288,000 of these models derive from 431.Three million on-demand monitor streams, besting the 384.Eight million Drake acquired for the primary week of More Life. Perhaps craziest of all, Post has two albums within the high 10 concurrently; his 2016 debut album Stoney is again as much as #9 this week and has by no means left the highest 25 in its 73 weeks since launch (although notably it additionally by no means rose above #four).

Keith Urban is in at #2 with 145,000 models/137,000 gross sales for Graffiti U, his seventh top-10 album. Like Post Malone’s LP, Urban’s benefitted from a promotion pairing a duplicate of the album with live performance ticket gross sales, which helps to account for the uptick in gross sales from Urban’s 2016 launch Ripcord. Prior #1 blockbusters J. Cole’s KOD, Cardi B’s Invasion Of Privacy, and The Greatest Showman soundtrack are at #Three, #four, and #5 respectively.

Debuting at #6 is Janelle Monáe’s Dirty Computer through 54,000 models/41,000 gross sales. It’s her second top-10 album following 2013’s #Three-debuting The Electric Lady. It’s adopted at #7 by the debut of YoungBoy Never Broke Again’s Until Death Call My Name courtesy of 43,000 models/Eight,000 gross sales. At #Eight is one more debut, Godsmack’s When Legends Rise, incomes 40,000 models/36,000 gross sales to turn into the band’s seventh top-10 album. And after Post Malone’s aforementioned Stoney at #9 comes Jason Aldean’s Rearview Town at #10.

Post’s album success interprets to an enormous week on the Hot 100 singles chart as properly. Although Drake’s “Nice For What” is at #1 for a fourth straight week — giving him 15 straight weeks at #1 following his 11-week run with “God’s Plan” — Post turns into the 18th artist within the chart’s six-decade historical past to land three simultaneous singles within the high 10. “Psycho” with Ty Dolla $ign returns to its #2 peak, “Better Now” debuts at #7, and former #1 “Rockstar” that includes 21 Savage rebounds from #32 again as much as #Eight. Notably, Drake additionally continues to have three songs within the high 10: “Nice For What” at #1, “God’s Plan” at #Three, and his look on BlocBoy JB’s “Look Alive” at #9.

Is there room for anyone else moreover Drake and Post Malone within the high 10? Well, Bebe Rexha and Florida Georgia Line’s “Meant To Be” is in there at #four, adopted by Zedd, Maren Morris, and Grey’s “The Middle” at #5. Camila Cabello will get her third top-10 hit as a solo artist as “Never Be The Same” climbs to #6 — I suppose that remix with nation star Kane Brown did its job. And rounding out the highest 10 at #10 is Ariana Grande’s “No Tears Left To Cry,” down from its #Three debut final week.


Selena Gomez – “Back To You”
Like Gomez’s Marshmello collaboration “Wolves,” this acoustic ballad from the brand new season of 13 Reasons Why boasts a humongous refrain and EDM parts adequately subtle to not get in the way in which. It’s not an elite Selena Gomez monitor, however like “Wolves,” I can think about besmirching myself by returning to it typically.

Zayn – “She Don’t Love Me”
Aesthetically, “She Don’t Love Me” could go down because the second the place Zayn Malik discovered the best stability between his adult-contemporary impulses and his want to be a horny cutting-edge R&B singer. But the place are the hooks?

Meghan Trainor – “Let You Be Right” & “Can’t Dance”
I’m somewhat ashamed to confess that I’ve room in my life for half-decent Meghan Trainor singles, however these flimsy issues ain’t that.

Julia Michaels – “Jump” (Feat. Trippie Redd)
In which an emotively breathy top-40 artisan from the major-label machine and a feral SoundCloud-rap individuals’s champ sound completely at dwelling alongside one another. Must be that Midwest connection!

Jessie Reyez – “Body Count”
The rising Toronto R&B singer applies her smoky rasp to some deconstructed acoustic hip-hop and preaches a gospel of private freedom and self-love, from “We don’t care what they say/ We gon’ love who we gonna love” to “I dodge dick on the daily/ I know it’s funny but it’s true/ And I bought this Mercedes all by myself/ Got the papers to prove” with a “Hallelujah!” or two for good measure.


  • Ariana Grande and Mac Miller broke up. [TMZ]
  • Rita Ora groups up with Cardi B, Bebe Rexha, and Charli XCX on “Girls,” out tomorrow. [Twitter]
  • Christina Aguilera introduced her first tour in over a decade. [E!]
  • The Rhode Island city the place Taylor Swift owns a home is contemplating permitting parking on her avenue. [Boston Herald]
  • Speaking of Swift, she visited an Eight-year-old fan who had been badly burned in an accident in March. [AZ Central]
  • Pitbull has scored his first film — Gotti, the indie biopic starring John Travolta. [THR]
  • Adele had a Titanic-themed 30th birthday bash. [Billboard]
  • Liam Payne shared a video for his J Balvin collab “Familiar.” [YouTube]
  • Payne additionally did a piano-led, string-laden cowl of Zedd ‘s “The Middle,” however dude isn’t any Maren Morris. [YouTube]
  • Kygo and Miguel launched a video for “Remind Me To Forget.” [YouTube]
  • J. Cole introduced a North American KOD Tour with Young Thug. [PR Newswire]
  • John Legend’s voice might be obtainable as an choice for Google Assistant. [Engagdet]
  • Panic! At The Disco did their new single “Say Amen (Saturday Night)” on Ellen. [YouTube]
  • Sam Smith and Logic launched their “Pray” video. [YouTube]
  • Clean Bandit and Demi Lovato have a single out subsequent week. [Twitter]
  • Spice Boys. [Instagram]


Elon Musk Is Dating Grimes?

Page Six has come by means of with what I might conservatively name probably the most unbelievable improvement within the historical past of each music and industrial innovation: Grimes is outwardly courting Elon Musk, and the 2 will seem collectively at tonight’s Met Gala.

According to the report, the 2 linked after Elon Musk was planning on tweeting an obscure sci-fi joke earlier than Googling it and discovering out that Grimes had already completed so three years in the past. I actually don’t perceive what any of this implies—I couldn’t date both Grimes or Elon Musk, for higher or worse—so I’m simply going to breed the whole part right here:

A supply tells us the pair met round a month in the past on-line, in fact, by means of a joke Musk had deliberate to tweet, however found Grimes had already made, coping with the problems of synthetic intelligence.

Thought experiment Roko’s Basilisk considers the speculation of a future the place AI lords over the world and will punish those that didn’t assist it into existence. His joke was to merge this thought experiment with a pun utilizing “Rococo,” referring to the ornate French 18th Century Baroque model, maybe declaring that each ideas are complicated, too excessive and ridiculous.

And whereas this takes some explaining, arty performer Grimes was already in on the identical joke — three years forward of Musk.

In 2015, she created a personality named “Rococo Basilisk” for a video of her music “Flesh Without Blood.” “I don’t know if you’ve heard of Roko’s Basilisk,” she informed Fuse. “[This character] is doomed to be eternally tortured by an artificial intelligence, but she’s also kind of like Marie Antoinette.”

“Elon was researching the idea of joking about Rococo Basilisk, and when he saw Grimes had already joked about it, he reached out to her,” says the insider. “Grimes said this was the first time in three years that anyone understood the joke. They were both poking fun at AI.”

Page Six notes that the next tweet from Musk is a tease of the upcoming reveal of his and Grimes’ relationship:

Best of luck to the brand new couple. Mars seems like an amazing thought now, come to think about it.

This article initially appeared on Spin.

UPDATE: Here is an image of the brand new couple at tonight’s Met Gala.

CREDIT: Neilson Barnard/Getty Images

And you may watch some pink carpet video right here.

Shut Up, Dude: This Week’s Best And Worst Comments


#9  cokeparty
Score:46 | Apr 28th

This isn’t even a tune. No one is telling black folks they need to be Democrats, Kanye. People are saying that you just’d need to be out of your fucking thoughts to be a Republican (you wore the hat). And the reply isn’t robotically some nutter department of Libertarian both.

Make music that lets the sound of that music be the primary precedence. You are going to say dumb shit (we’ve let most of that slide for years). But please, for the love of Jesus, don’t launch a album of tracks like

Also, radio DJ’s on hip hop radio ought to cease speaking over all the things they play. Shit is annoying.

Posted in: Kanye West – “Ye Vs. The People” (Feat. T.I.)


#four  roland1824
Score:-27 | May 2nd

Ladies and gents, the state of on-line discourse in 2018: Pointed critique, bitchy comeback deflection, the unique level nonetheless stands, unaddressed. Rinse, repeat.

Posted in: Kanye West Doesn’t Care About Rap Music


The Goon Sax – “She Knows”

Formed throughout the throes of adolescence, the Goon Sax keep an innate angst and awkwardness. Their critically acclaimed 2016 debut wove intelligent, dejected musings into jangly ’80s-inspired numbers. Now, freshly signed to Wichita Recordings, the Australian guitar pop trio are gearing as much as launch their sophomore album.

The artists on Wichita’s roster — together with Cloud Nothings and FIDLAR — have a tendency towards emotive, typically frenetic indie rock, making the Goon Sax an apt addition. This sensibility is obvious on their forthcoming album’s lead single “She Knows,” a scratchy coming-of-age love music.

A nervous riff pulsates because the band — now 21, 20, and 19 — type via newly developed neuroses. Lyrics like, “It always hurts when no one replies, I need to tell someone what’s on my mind,” air fashionable anxieties.

Vocalist James Harrison expands on the music in a press release:

“She Knows” has grow to be a really quick music, which took us a whole lot of follow to have the ability to lastly hit and strum our devices quick sufficient, with a whole lot of string breaking. I hope it makes individuals energetic and excited to hearken to, its a music about dropping hope, stubbornness and heartache. Im undecided if its our saddest music, however possibly in case you lock your self in your room for a few days and solely hearken to it you won’t really feel so comfortable, additionally it is okay in case you really feel comfortable to this music! Even higher!!!

Listen to “She Knows” beneath.

1. Make Time four Love
2. Love Lost
three. She Knows
four. Losing Myself
5. Somewhere In Between”
6. Strange Light”
7. Sleep EZ”
eight. We Can’t Win”
9. A Few Times Too Many”
10. Now You Pretend”
11. Get Out”
12. Til The End”

We’re Not Talking is out 9/14 by way of Wichita Recordings.

Shut Up, Dude: This Week’s Best And Worst Comments

I flip 40 tomorrow. That makes me twice as outdated as Capital Punishment and half as outdated as Blochead. To reduce the blow of getting into center age, I had a birthday live performance in Brooklyn final night time with the Pains Of Being Pure At Heart, Titus Andronicus, Slonk Donkerson, and shock units from Ted Leo and Speedy Ortiz. Thanks to all of them. Speedy performed their total new album Twerp Verse (out at this time). Pains coated Tom Petty and reunited with my outdated good friend Peggy Wang for the primary time in like 6 years. Patrick Stickles sat on the bar and sang “Lilac Wine.”

I’m informed getting outdated isn’t the top of the world, although! Look in any respect these thriving artists who’re 40 or are turning 40 this 12 months:

  • Panda Bear!
  • Diplo!
  • Fiona Apple!
  • Nicole Atkins!
  • Sturgill Simpson!
  • Karen O!
  • Poo Bear!
  • Andy Butler!
  • John Mayer!
  • John Legend!
  • Ed Droste!
  • The Black Madonna!
  • Jake Shears!
  • Ariel Pink!
  • Kevin Federline!
  • Cameron Heacock!

Can’t wait to see all of them at a War On Drugs present quickly.


#10  WaterRat
Score:54 | Apr 23rd

“There’s nonpolitical methods to speaking that I like, that I feel were very futuristic. And that style, and that method of communication, has proven that it can beat a politically correct way of communication. And I fuck with that.” – Kanye West (November, 2016)

Basically its the identical “he tells it like it is” bullshit argument, however Kanye attire it up in futurism to sound mental. This man has made some nice music; however his world view has been fucked for years.

Posted in: Kanye West Affirms “I Do Love Donald Trump”
#7  El Gummo
Score:58 | Apr 24th

Our Beach House,
Who artwork on Sub Pop,
Hallowed be Teen Dream,
Thy new album come,
Thy 9.2 be completed,
On Pitchfork as it’s in Stereogum,
Give us today our Album of the Week,
And forgive us our Premature Evaluation,
As we forgive those that say, “I’ve heard it,”
And lead us not into the Beachless House,
But ship us from Kanye


Posted in: Beach House Are Loving Losing Life
#6  WaterRat
Score:59 | Apr 23rd

But that’s bullshit, proper?

I do love Jeffrey Dahmer. Just not down with the all of the folks consuming.

When folks applaud Donald Trump for his non-politically right approach of speaking, it’s full bullshit…Kanye included. The dude straight up lies. And it’s not simply lies, however he usually pops off about shit that he’s utterly misinformed about. He’s a dude who watched Sean Hannity each night time and thought it made him an knowledgeable on international coverage. He’s a dude who within the midst of a marketing campaign for PRESIDENT OF THE UNITED STATES and tweeted out blatantly incorrect statistics about minority crime charges. He’s a dude who has used the phrase “cyber is very easy” and saved a straight face. It’s not futuristic; it’s simplistic. And it’s fucking rubbish.

I do know you weren’t defending him or something, however realizing what Kanye has stated thus far on the subject; forgive me for not giving a fuck what his ideas on coverage are.

Posted in: Kanye West Affirms “I Do Love Donald Trump”
#four  undergroundspoon
Score:68 | Apr 25th

I don’t know what to say about Kanye particularly any extra, however I’m actually reaching my breaking level w/r/t intolerance in rap total. In 2018 alone:

-Offset actually rapping “I do not vibe with the queers” on the brand new Migos launch.
-Roc Marciano persevering with to make use of a phrase that’s in all probability the final one quite a lot of useless LGBTQ folks ever hear.
-xxxTentacion having a #1 album regardless of his beating his pregnant girlfriend’s eyes shut.
-Nicki Minaj selecting and selecting her favourite Asian stereotypes to render as aesthetic selections.
-Kanye’s renewed endorsement of Trump, alongside w/ numerous different Trump followers (together with somebody who paints the Black Lives Matter motion as a bunch of whiny hysterics).

Turning music discourse into fan tradition w/ a choose few agreed-upon punching luggage is what I believe received us all right here with egg on our faces. It’s previous time that we found out take care of it.

Posted in: Kanye West Explains Why He Loves His “Brother” Donald Trump: “We Are Both Dragon Energy”
#1  blochead
Score:93 | Apr 23rd

“Kanye is a musical genius but also an idiot” is one thing I’ve typed in a single kind or one other on this website for YEARS. And not not like Jesus I’ve suffered for this perception. Oh the downvotes. The “hidden comments”. All of it. I suffered all of it for you. I don’t need your apologies at this time. I don’t need you to dig up outdated “hidden comments” and lift them from the useless. I do know , I do know…the Jesus comparability actually is apt right here. All I ask….as all of us ponder Kanye saying “I do love Donald Trump” is your upvote right here. Send me to the heavens, Gummers. So that I could also be reunited with my father.

Posted in: Kanye West Affirms “I Do Love Donald Trump”


#2  Onigokikn
Score:-20 | Apr 25th

This. Also, good for Kanye. I hate Trump and suppose he’s the worst prez ever, however he shouldn’t be bullied into liking or disliking anybody. Be you Kanye. I don’t care for those who like Trump and I believe he’s strolling rubbish…make good music and I’ll tune in.

Posted in: Kanye Wears MAGA Hat, Trump Says Thanks


Elton John Biopic Rocketman Casts Taron Egerton

As Elton John winds down his profession with a farewell tour, there’s a biopic in regards to the musician within the works. It’s truly been in improvement for some time now, however the undertaking has lastly discovered its Elton: British actor Taron Egerton, who has been in each Kingsman films and starred within the sports activities film Eddie The Eagle. As Variety experiences, the movie — which is known as Rocketman — was written by Lee Hall and shall be directed by Dexter Fletcher, who just lately changed Bryan Singer because the director of the Freddie Mercury biopic Bohemian Rhapsody. Production is about to start out this summer time.

Here is what Egerton seems like:

CREDIT: Tim P. Whitby/Getty Images for BFI